In which our intrepid hero encounters a triumphantly twisted ruin…

There is something about things that are old, ungainly and decaying that fascinate me.  I’ve always been that way.  This is why I exult in the glorious truck-hulks that appear in the much underrated 1977 film Sorceror, for example, and one of the reasons I like movies that depict slums, ghettoes, or old buildings.  These sorts of things have always resonated very deeply with me—this notion of things that once were strong or great but are so no longer.

Percy Bysshe Shelley had it dead-on with his sonnet “Ozymandias”:

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away

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