Excursion 61 (The Tale is in the Motelling)

I’m almost schizophrenic about going on my little photography expeditions. On the one hand, when I haven’t gone on one in some time (as is presently the case), I start jonesing to go. On the other hand, the closer I get to a planned or prospective trip, the more I begin to regret it—primarily because I am very much a night person and getting up early on a Saturday is akin to being tortured—and the more I tend to look for excuses (“Well, it looks like the weather will be bad, so maybe I will wait until next week”).  How I ended up with a hobby that is directly antagonistic towards my body clock is beyond me.  On this mid-October day, however, I was indeed jonesing to go take some photos and I couldn’t back out of it because I was going with my friend, Tsuki.  Houston, we have liftoff!

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Excursion 59, Part 2 (The Steel Mill)

I never worked at a factory.  I did, for a few months, between my graduation from college and when I went off across the country to graduate school, work at an oil refinery, which at least is another industrial setting.  That was the summer of 1988, which not coincidentally was the last time I was shaven; the refinery prohibited beards for safety reasons.   I did a variety of things there; some clerical work, some gopher work, some light manual labor, so I was not bored. I find it difficult to imagine myself in something like an assembly-line job, doing the same thing all day long; I think my personality is not suited for that and it would be very hard on me.  Other types of factory work are much more varied.

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Excursion 53, Part 1 (Septic Thanks)

We don’t always take the time to appreciate the little things in life.  For example, at the moment of this writing, I have a gnat/fruit fly infestation in my house. I don’t know where the little buggers are reproducing yet and I am probably going to have to tear my house upside down.  I normally don’t take the time to appreciate a gnat-free house.   I do appreciate the relaxation of going on my little excursions across Ohio, but often not until I am actually on the road.  What I dread, to be honest, is having to wake up so early. I am such a night person, that getting up early enough to catch even the trailing rays of the morning’s “golden hour” is certainly a chore. One saving grace of excursions in the winter is that the sun, at least, rises a bit later.  I need those minutes.

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Excursion 48 (Like Emptiness in Harmony)

When I was in high school, I was a member of the Math Club.  Yes, you heard me correctly, I did not lose my virginity in high school. One year we traveled to Monahans, Texas, about 250 miles away, for an academic competition. It was probably more than just a math competition, because we went in a school bus.  On the way back, after a long day, I stared out from the bus into the darkness of the west Texas desert, listening to Simon & Garfunkel’s Concert in Central Park on my Walkman knockoff. When the song “Homeward Bound” started playing, I was suddenly swept up, listening to the lyrics, by a feeling of incredible melancholy. To this day, when I hear that song, especially when I am traveling, I still feel those strong emotions—there is something in that song about a desire to be rooted, to be anchored, to belong somewhere, that to me is very powerful.  It may speak to me so strongly because it sometimes seem to describe my entire life rather than merely an episode in it.

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Excursion 32, Part 2 (In My Father’s House Are Many Mansions)

Once upon a time, before thumb drives and smart phones, people actually had to remember things.  Do you remember that?  No?  Look it up on your smart phone; I’ll wait.  The ancient Greeks and Romans sometimes used a technique called the Method of Loci (i.e., places).  It’s more commonly called a memory palace.  The idea behind a memory palace—an idea stolen by the movie Inception—is that you create in your mind some sort of reality, like a house or museum or row of shops—or a palace.  When you want to remember something, you “store” it in a particular place in this mindscape.  For example, you may remember your locker combination by “storing” it inside the disgustingly pink vase on the mantel over the fireplace in the living room of your mind mansion.  It is the combination of the item and its virtual surroundings that create a memory connection for you.  It’s kind of like a mnemonic only in space rather than via words or sounds.

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Excursion 32, Part 1 (Mosaic of the Past)

I have such an odd memory.  I remember things that I read or write extremely well, and I have a historian’s command of the irrelevant detail.  But when it comes to my personal life, my memory is such an odd jumble.  I can’t really compare it with someone else’s memory, of course, having experienced only my own, but it is so fragmentary, so impressionistic.  My oldest memories are all just a few seconds long, if that:  my mother outside the house trying to use a broom to keep water from the basement, rolling a Hot Wheel down a table (I don’t know if our house was completely level), pedaling a Big-Wheel-like contraption around my grandmother’s store/house, seeing something weird (a bat?) flying around in my bedroom, being in the back seat of our car when my parents spelled the word “i-c-e-c-r-e-a-m.”  Things like that.  Concrete or sequential memories are much rarer.  I do remember one, perhaps because I learned a lesson.  I remember watching “I Love Lucy” on television, then us turning off the tv and going somewhere.  When I got back, I turned the tv on to finish watching “I Love Lucy” only to discover some other program was on.  That was when I discovered that when you turned the tv set off, tv programs kept going.  Well, they used to, my young on-demand, streaming darlings, they used to.

That is what you might expect for memories of someone 3-4 years old, but the thing is, that is the way all my memories are.  That is the way my high school memories are—momentary, fragmentary, mixed up.  That is the way my college memories are.  Oh, I remember more things, but what is amazing to me is how much I have not remembered—whereas I can tell you with certainly the most obscure details about World War II, something I never came close to experiencing.  In some respects I know more about the world I did not live in than the world I lived in.  That’s reality giving me an atomic wedgie, that is. Continue reading

Excursion 27, Part 1: (Return to Mud House Mansion)

It was February 2014.  Cold and brisk, but the weather was fine and it looked like a nice day to take an excursion.  I decided to do something I had been hankering to do for quite a while, which was to return to Mud House Mansion.  I had discovered this fascinating old building located a bit east of Lancaster only the month before, so the landscape (barren, winter) would look pretty much the same, but what I wanted to do was to get there very early in the morning and get some good pictures of the mansion during the pre-dawn and dawn minutes, the so-called “golden hour” of photography.  Well, the plans of mice and men oft gang agley and my exquisite timing was ruined completely when a woman driving a jeep mounted with a battering ram rear-ended by Pilot in downtown Lancaster.  She had a grill guard on the front of Jeep (designed to protect vehicles from deer and such hitting the front of the car), but it was one that protruded well in front of the vehicle and that steel frame ploughed into the back of my SUV, caving in the rear door and doing about $7,000 or so worth of damage.  So much for golden hour.

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Excursion 26, Part 1 (Vortacular)

Unearthed Ohio is active again, after some time off for questionable behavior.  Unlike most blogs, where inactivity for an extended time portends doom, the extended hibernation here was deliberate.  Much of my free time this past year was spent working with a designer and a developer to create a new version of my other website, then I had to import and convert the old content, then catch up, and, well, it was a monumental undertaking.  I had to put Unearthed Ohio to the side—though I never stopped the actual photography.  Now I can catch up a bit.  With this blog entry, I present photographs from a trip I took in mid-February 2014, deep in the heart of the Polar Vortex.  As I write this intro, however, I seem to be deep in the heart of Polar Vortex 2:  Electric Boogaloo.  Two very nasty winters in a row.  The one advantage that a winter offers is winter landscapes and last year I took the opportunity of a recent snowfall to do some experimentation with snowy photography, which I present to you herewith.

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Excursion 25, Part 1 (Mud House Mansion)

In which our intrepid hero chances upon the manse macabre…

A is for Amy, who fell down the stairs.
B is for Basil, assaulted by bears.
C is for Clara, who wasted away.
D is for Desmond, thrown out of a sleigh.

Those are the first few lines of the Gashlycrumb Tinies, an alphabet book consisting of 26 different children meeting untimely ends.  The Tinies are the work of Edward Gorey, a rather amazing author and artist, whose distinctive visual style was a sort of goth Edwardiana.  I first encountered Gorey in high school and fell in love with his dark wit and unique artistic style.

Little did I know that a bit more than 30 years after I discovered Gorey that I would encounter a mansion that looked as if it came right out of one of his books.

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Excursion 24, Part 2 (The Merry Mannequins of Cambridge)

In which our intrepid hero gets in touch with his inner Victorian…

For many people, the Christmas season is rather depressing, but I must confess that I typically am filled with good cheer during that time of year, even though I am not Christian.  There is just something to the Christmas season for me, a period in which—in theory, at least—there really is “good will towards man” and with the gift-giving, people often do make an attempt to be thoughtful to others.  As a result, I am very pro-Christmas, even if from a secular viewpoint.  On this Christmas day, I found several examples of this seasonal “good will” that made me think the world wasn’t really all bad.

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