Excursion 55 (The Town That Moved)

I was born in Pennsylvania but moved to west Texas when I was four years old. I remember nothing of it except a hazy memory of the plane ride with my mother and my sister (my father drove).  I did not move again until I went to college at Trinity University in San Antonio, to live in a dorm. During the summer the university sent me a letter with information about my dorm and my assigned roommate.  My roommate had one of those ambiguous names that could be male or female, which is relevant, because the dorm assigned to me was the Camille Lightner Women’s Honor Dormitory.  Together, these two pieces of information had me a little nervous. However, it turns out the dorm had recently been converted to co-ed and they merely hadn’t gotten around to changing its formal name.

In 1988, I made the biggest move of my life, to Columbus, Ohio, to go to grad school.  With the exception of my books and my wargames, every possession I owned was crammed into my 1985 Chevy Chevette.  It was so loaded down I almost had to pull it the 1,550 miles to Ohio. The only way I could afford to move my (thousands of) books and wargames was to ship it via freight as scrap paper—meaning if something went wrong, I could kiss them goodbye. That was a nervous waiting period until they arrived at the small apartment I had rented, which would turn out to be miserable and rat-infested. I stayed there two years, then moved into a townhouse apartment in a nicer part of town. I would live in that place for 14 years until I finally bought a house and made my last move, to date. By then I could afford to pay people to move all the stuff—and not as scrap paper, either, so it was in many ways the least painless.  After I moved in, I discovered the air conditioning was broken and I had to pay nearly a thousand dollars on my first day in the house to fix it. Even after the house cooled down, I had a hard time sleeping that night, in a strange place that I had just bought, consumed by second-guessing my own decision in the largest purchase of my life to date. But it generally turned out okay.  I’m still living in it, 12 years later—though still not fully unpacked.

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Excursion 50, Part 2 (East to East Liverpool)

My 50th excursion, quite a milestone, took me northeast from Columbus to Coshocton (because all roads lead to Coshocton), and well beyond.  But let’s pick up a bit northeast of Coshocton, where I was driving northward through what was essentially the southern reach of traditional “Amish country” in Ohio (though Amish communities can be found throughout the state). Continue reading

Excursion 40, Part 2 (Palettes of Past and Present)

Photography is, I am learning in my own novice way, in many ways the study of light.  But it is more than that, too.  It is also the study of color and of texture.  I can’t help but think that this is somehow a metaphor for living life.  Light is the world we live in, the ocean in which we swim.  Color represents those things around us, the things we see, the things we notice, the things we react to.  Sometimes these colors of life are bright and superficial, sometimes darker and more soulful.  But perhaps most important of all is texture.  Texture is richer, deeper.  No matter what the color, it is the texture that reveals the truth of something.  Texture is not so much life as how you live your life—the choices you make, the way the world wears on you—etching grooves deep into your surface.  Colors can change, but texture abides.  And as we live our life, the texture of that life defines us more and more.

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Excursion 12, Part 4 (Relics of Yesteryear)

In which our intrepid hero finds himself transported to days long past…

I am always aware of my photographic limitations.  Not only does the methodology I employ (roadside photography) have many drawbacks that limit the number of good photographs I can take, but my own inherent limitations reduce that number still further.  As of this writing, I have been taking these sorts of photographs for only around eight months; these particular photographs were taken after only three months.  So much of my photography is either of the “even a broken clock is right twice a day” variety or of the “interesting subject, not so good photograph” variety.  I acknowledge that.  On the other hand…

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