Excursion 6, Part 2 (The Deception of Distance)

In which our intrepid hero encounters dead trees, dead cars and dead buildings…

One of the most interesting things about taking back-country drives is that the scale of everything changes.  The distance scale, for example, grows enormously.  Ohio is a relatively small state, and I am centrally located within it, so theoretically I can reach even the most distant parts of the state in three and a half hours.  But that is making a bee-line on a highway.  Once you start driving on curvy, back-country roads, especially driving relatively slowly to spot potential subjects for photographs (and stopping on occasion to actually take them), 20 miles somehow becomes a great distant, not a short jaunt.  Sixty miles is a huge distance.  On the other hand, the time scale slows down.  Because you are in no particular hurry, and paying attention to your surroundings rather than the clock, time passes quickly for you.  The combination of these two means that you can spend many, many hours in a vehicle and discover that you have really never driven more than 60 miles away from your starting point (though your total mileage may be much greater).

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Excursion 5, Part 3 (We are time’s subjects, and time bids be gone)

In which our intrepid hero literally discovers the Theory of Everything…

One of the odd things about dilapidated or ruined buildings is how they juxtapose with the seasons.  If you look at a ruined building in the winter, the landscape surrounding it is as grey and colorless as the building itself; lifelessness upon lifelessness.  However, if you come across the same building in the summer (in Ohio), you will instead see a picture of contrasts:  a gray, lifeless shambles of a building surrounded by vibrant greenery.  Indeed, it may not even be surrounded but invaded by such greenery.  In this case, lifelessness confronts life itself.

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Excursion 4, Part 7 (Visit to the Far Side)

In which our intrepid hero feels a sense of deja moo…

One of the sad things about driving around and taking photographs is that, even if the photographs turn out well, even if one of the photographs actually (purely by luck) turned out to be quite high quality, the person who sees that picture will still not have experienced the scene the way my eyes did.  There are times when I wish I could just invite people into my eyeballs so that they can see a scene in just the way my own eyes perceived it.

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Excursion 4, Part 5 (Take Me to the River, Drop Me in the Water)

In which our intrepid hero continues his journey towards the mystical Ohio river…

I am no student of architecture but anybody who looks at enough buildings, or pictures of buildings, will eventually begin to pick up on certain architectural styles from certain eras.  That is certainly true for mundane residences and businesses.  Often you can look at a house and pretty much know when it was likely to have been built, just from its appearance.  Leaving aside signs of aging, buildings go through fads and trends just like anything else.  One such trend certainly appeared in the 19th century.  If one looks at early photographs of American towns and farmhouses, certain types of brick structures appear so often that they are often a signature—though it is true that in the 20th century some buildings were constructed in a “retro” fashion, inspired by or duplicating that earlier style.

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Excursion 4, Part 2 (…But You Can Never Leave)

In which our intrepid hero, his hour come round at last, slouches towards Zanesville…

A number of subjects in this blog will no doubt interest only me.  One subject that fascinates me but may leave others wondering is the small standalone ice cream shack.  They interest me for several reasons, including the fact that no such thing seemed to exist where I grew up.  I never saw one until I was in college—there was a “Dairy King” in one of the small towns that lined the 550 mile-long stretch of nothing between El Paso and San Antonio.  They also interest me because they seem to me sometimes to be one of the last types of truly independent small businesses.  That’s kind of funny, because they are all imitators of Dairy Queen, which actually invented soft-serve ice cream.  Dairy Queen went on to be a huge chain, but these ice cream shacks still look a lot like Dairy Queen looked in the 1940s.

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Excursion 4, Part 1 (You Can Check Out Any Time You Like)

In which our intrepid hero observes some weary homes for weary travelers…

My fourth excursion, on April 20, combined two of my favorite bits of Ohio:  U.S. 40 (i.e., the National Road) and Appalachian Ohio.  It was a long trip, lasting around 10 hours worth of driving around and snapping shots.  By the time I had finished, I had made a neat circle around the southeastern quarter of the state.

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Excursion 3, Part 5 (Rivers and Shacks)

In which our intrepid hero finds himself over a river without a paddle…

On my excursions—which don’t really have any specific endpoint—I drive and take pictures until my enthusiasm begins to wane.  Then I turn around and start heading back, either through more back roads or via faster routes, depending on my patience.  I’ve noticed though, that no matter how I drive back home, I always take far fewer pictures on the return leg of the journey.  Psychologically, I suppose, I have already switched into “get home” mode…

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Excursion 3, Part 4 (The Wreck of the Shenandoah)

In which our intrepid hero discovers the site of an American Icarus…

The oil and natural gas boom here in Ohio is interesting.  “Fracking,” as the process is called, promises huge amounts of natural gas, with all the accompanying benefits, yet offers possible dangers that range from earthquakes to drinking water contamination.  Properly regulated, the industry is something I could not really oppose, but in Republican-controlled Ohio, one can never guarantee that anything will be regulated at all.  All too often, Ohio learns the hard way.  The other reason I am cautiously supportive of fracking is that the deposits are in the poorest area of the state, Appalachian Ohio, which needs every bit of help it can get, although it won’t be the individual property owners who lease out their mineral rights who will really rake in the money.

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Excursion 3, Part 3 (Death and Grapes)

In which our intrepid hero provides veritas and vino, entirely coincidentally…

Farms interest me.  I am a city boy, through and through; I have spent virtually all of my life living in one of three cities:  El Paso, San Antonio, and Columbus.  But I do have a small amount of familiarity with farms, because relatives of mine owned a cotton farm near the Rio Grande in southern New Mexico and we visited often.  In fact, for a considerable number of years I was there pretty much every weekend, because my father bought a horse (for deer hunting purposes) and reached an agreement with my great-uncle to build a corral on his farm to house the horse and the horse of a family friend.  My dad went out each weekend to ride and brought me along to clean up the corral for him.  So I can say, if nothing else, that I shoveled tons and tons of manure on a cotton farm in my childhood.

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Excursion 3, Part 2 (I am Ozymandias, King of Kings)

In which our intrepid hero encounters a triumphantly twisted ruin…

There is something about things that are old, ungainly and decaying that fascinate me.  I’ve always been that way.  This is why I exult in the glorious truck-hulks that appear in the much underrated 1977 film Sorceror, for example, and one of the reasons I like movies that depict slums, ghettoes, or old buildings.  These sorts of things have always resonated very deeply with me—this notion of things that once were strong or great but are so no longer.

Percy Bysshe Shelley had it dead-on with his sonnet “Ozymandias”:

I met a traveller from an antique land
Who said: Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed:
And on the pedestal these words appear:
“My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!”
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away

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