Excursion 46, Part 2 (They Took All Their Things And Never Came Back)

(with apologies to Tom Waits)

Abandoned houses seem to the the theme of this set of photographs and accompanying rambling commentary.  The block on which I grew up in El Paso did not have any abandoned houses; indeed, I’m hard-pressed to think of any in my childhood neighborhood. Of course, El Paso was a rapidly growing city and our house was located in the direction of greatest growth. It wasn’t until I moved to Columbus, Ohio, that old abandoned residences first made an impression on me—not that Columbus had any great number of them, but any older center city residential area will have at least some.

In more recent years, thanks to the great recession, abandoned homes have become such a big thing that squatting in them has also become a big thing, including by some of the extremists I study professionally in my “day” job. But the old homes pictured here are not recently abandoned, at least in the majority of cases.  They are older homes and many were clearly abandoned decades ago. Why?  In some cases, the buildings became decrepit and new houses were built on the same property. In some other cases, new owners may have bought the land—for farming or grazing—but did not need the house on the land.  In some cases, houses fell into decay during the owners’ lives and became more or less unsellable in that state, especially in small towns that might have suffered significant population loss.  There are a lot of ways homes can become derelict and I may have seen all of them.

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Excursion 46, Part 1 (The Stern Girl and Other Stories)

Over 17,000 years ago, on the dark, damp walls of a cave in Lascaux, France, a prehistoric artist left paintings of the animals of his or her time.  Today those images still have the power to amaze and to transport those few people lucky enough to view them (access is extraordinarily restricted) back to an ancient bygone era, at least momentarily.

It would be thousands of years before humanity began to construct permanent buildings, at remote places like Göbekli Tepe in Turkey (9,000 to 11,000BCE), but when they did, they put images on the pillars and surfaces of those buildings as well, just as their forebears had done on caves.

Buildings and artwork have thus served, from the very earliest periods of humanity’s existence, as our most potent time machines.  And they function as such even in the small-towns and back-country of rural Ohio.

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